A history of modern drama. 1960-2000 / Volume II :

Main Author: Krasner, David, 1952-
Format: Wiley eBooks
Published: West Sussex : Wiley Blackwell, 2016.
Online Access:Wiley Online Library
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049 |a MAIN 
100 1 |a Krasner, David,  |d 1952- 
245 1 2 |a A history of modern drama.  |n Volume II :  |b 1960-2000 /  |c David Krasner. 
264 1 |a West Sussex :  |b Wiley Blackwell,  |c 2016. 
300 |a 1 online resource (560 pages) 
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505 0 |a Title Page; Table of Contents; Preface and Acknowledgments; Acknowledgments; Part I: Introduction; Chapter 1: Strangers More than Ever; The Critical Divide: Defining Modernism and Postmodernism; Constituents of Postmodernism; Marat/Sade; The America Play; Part II: United Kingdom and Ireland; Chapter 2: Jewish Oedipus, Jewish Ethics; Homecoming and the Unheimisch; The Ethics of Betrayal; Chapter 3: Tom Stoppard and the Limits of Empiricism; Tom Stoppard and British Empiricism; What Exactly Is the Experience of Death?; What Exactly Is the Experience of Art and Socialism? 
505 8 |a The Real Thing: What Really Is Real Love?Arcadia: What Is the Experience of a "Carnal Embrace?"; Chapter 4: Caryl Churchill, Monetarism, and the Feminist Dilemma; Chapter 5: "Can't Buy Me Love"; Edward Bond: Postmodern Violence and Postmodern Calm; Lear; "You can't always get what you want": David Hare and Sold-out Cynicism of Abundance; Men at Work and Play: David Storey and Trevor Griffith; British Nationalism and Colonialism on the Island of Australia; Joe Orton: Finding Winston Churchill's Private Parts; Chapter 6: Between Past and Present; Dancing in the Middle Ground. 
505 8 |a Part III: United StatesChapter 7: "Participate, I suppose"; Mourning in the Postmodern Age; The Specter of Death in Who's Afraid of Virginia Wolf?; Three Tall Women; Chapter 8: "Ask a Criminal"; Business Is Business: American Buffalo and Glengarry Glen Ross; Finding the Truth in True West and Fool for Love; Academia as a Battleground in Oleanna; Mamet, Shepard, and the "New Man"; Chapter 9: Modern Drama, Modern Feminism, and Postmodern Motherhood; Uncommon Women; The Unforgiving Mirror of 'night, Mother; Stuck in the Mud; How I Learned to Drive. 
505 8 |a Chapter 10: History, Reinvention, and DialecticsFences; The Piano as Dialectic; Wilson's Motifs; Chapter 11: Tony Kushner's Angels in America; Part IV: Western and Eastern Europe; Chapter 12: Post-War, Cold War, and Post-Cold War; Franz Xaver Kroetz and the Postmodern Breakdown of Language; Heiner Müller and Postmodern Inundation; Dasein in Peter Handke and Botho Strauß; Chapter 13: Eastern Europe, Totalitarianism, and the Wooden Words; Tadeusz Kantor: Theatre of Dematerialization; Dario Fo: Comic Reason and Farceur Extraordinaire; Václav Havel and the Language of Circumlocution. 
505 8 |a Part V: Postcolonial DramaChapter 14: The Fragmentation of the Self in Postcolonial Drama; Chapter 15: Africa: Wole Soyinka, Athol Fugard, and Christina Ama Ata Aidoo; Memory and Forgetfulness: Wole Soyinka's Death and the King's Horseman; What's in a Name: Athol Fugard's Sizwe Banzi Is Dead; Women's Identity in Aidoo's Anowa; Chapter 16: Central and South America: Carlos Fuentes and Derek Walcott; Memories and Demi-Gods: Carlos Fuentes's Orchards in the Moonlight; Derek Walcott and the Hybridity of Colonialization. 
500 |a Chapter 17: Asia and the Middle East: Yukio Mishima, Gao Xingjian, Girish Karnad, Hanoch Levin, and SaaDallah Wannous. 
650 0 |a Drama  |y 20th century  |x History and criticism. 
650 0 |a Drama  |y 21st century  |x History and criticism. 
650 7 |a BIOGRAPHY & AUTOBIOGRAPHY  |x Literary.  |2 bisacsh 
650 7 |a Drama.  |2 fast  |0 (OCoLC)fst00897468 
648 7 |a 1900-2099  |2 fast 
655 4 |a Electronic books. 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 0 |a Electronic books. 
776 0 8 |i Print version:  |a Krasner, David.  |t A History of Modern Drama, Volume II : 1960-2000.  |d : Wiley, ©2016  |z 9781118893258 
856 4 0 |u https://doi.org/10.1002/9781118893241  |z Wiley Online Library 
994 |a 92  |b DG1